Hobart Festival of Women Writers has published the first issue of a new online journal featuring new work from some of the many published women authors who have been Participating Writers at Hobart Festival of Women Writers. I’m excited to have been one of the editors of this issue. I was joined as editor by Cheryl Clarke and Esther Cohen. Read excerpts of my fiction and non-fiction here:
His gleaming, ivory-colored teeth could have stood in his mouth for another lifetime, but each fell beneath the knife. They bound him to a plank. They dosed him with alcohol to quiet his howling as the horse surgeon pillaged his incisors, his molars, and his bicuspids. They took his teeth because he was a persistent escapee, had run away seven times and bore marks of whipping and brining.
There were no rotted teeth in his mouth, no broken ones, none were misshapen, and not a single one was missing. Very great was the resistance of the teeth to being pulled out. They were moved not at all by the horse surgeon’s pliers. He reconsidered and took up a knife and an awl and cut away the gums until the teeth could hold no longer. Several times the man nearly drowned on the massive amounts of blood in his mouth. Yanked upright, turned over a bucket to spit, salted water flushed into his mouth, more whiskey poured down his throat, the work continued until each tooth was dug out undamaged. Each was cleaned, admired, and carefully placed in a wired device fitted for the master’s mouth.
Aunt Jemima, Eleanor Bumpers, Sandra Bland, and Breonna Taylor: Writing Against The Current
I never thought I’d be updating the dramatic work, “Re/Membering Aunt Jemima: A Menstrual Show” or even seriously reconsidering it. Written more than twenty-five years ago, the play contains topical references that I thought would seem stale in the 21st century. Glenda Dickerson and I had, in writing “Aunt Jemima: A Menstrual Show,” flung ourselves at notions of racial propriety. We didn’t want to write a domestic drama full of polite insistence that black people are worthy of Western civilization. We wanted to confront the popular culture of negative images of Black Women in messy confrontational language.
read my entire essay at https://www.hfwwnow.com/blog/g89bnakx17u4jne2r8wlib0u6r9d2a
NOW, an online journalhttp://hfwwnow.com features also the work of Alexis DeVeaux, Maria Mazziotti Gillan, Arisa White, Lisa Wujnovich, Esther Cohen, Elena Schwolsky, Cheryl Boyce Taylor, Marina Cramer, Julie Enszer, Aine Greaney, Ellen Meeropol, Bertha Rogers, Linda Lowen, Diane Gilliam, Dahlma Llanos Figueroa, Denise B. Dailey, Cheryl Clarke and Stephanie Nikolopoulos